The interpretive positioning of the audience as individual, specific and as multiple entities has always been a central concern in my work. The factual aura of a received narrative and its homogenizing affect or expectation of an audience creates the material with which I work. Sites of engagement are the various and multiplying formats in which knowledge is constructed and disseminated: from physical archives to the default collective construction of archiving on the web, museum displays, linguistic structures, filmic tropes, etc.
The Syntactical Impossibility of Approaching With A Pure Heart is a 9 to13 channel video installation including LED signage, light-boxes, projection and screen-based work. The work engages with the notion of a-priory imaginings of landmark iconography and uses appropriated material, collections of drawings, real-time footage, and animation.
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